At The ArQuives, we believe in the importance of acting as an educational resource to the community and activating the collection in exciting ways.
Our main avenues for providing educational support are through presentations about our LGBTQ2+ Inclusive Education resources for secondary schools, exhibitions, special events with community partners, history presentations, tours of our building and walking tours of Toronto’s LGBTQ2+ historical neighbourhoods.
Past Exhibits
Programming
Calendar of Programming
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An exhibit that looks at the ways in which The Body Politic, a Toronto-based gay newspaper (1971-1987), became a dominant voice in the body politics of the LGBTQ+ communities in Canada. |
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1 event,
Ian Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form. |
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Gay Premises: Radical Voices in the Archives, 1973-1983 and TAG TEAM: Gay Premises
The ArQuives 34 Isabella Street, TorontoAn exhibit that looks at the ways in which The Body Politic, a Toronto-based gay newspaper (1971-1987), became a dominant voice in the body politics of the LGBTQ+ communities in Canada.
Gay Premises: Radical Voices in the Archives, 1973-1983 and TAG TEAM: Gay Premises
The ArQuives 34 Isabella Street, TorontoAn exhibit that looks at the ways in which The Body Politic, a Toronto-based gay newspaper (1971-1987), became a dominant voice in the body politics of the LGBTQ+ communities in Canada.
Gay Premises: Radical Voices in the Archives, 1973-1983 and TAG TEAM: Gay Premises
The ArQuives 34 Isabella Street, TorontoAn exhibit that looks at the ways in which The Body Politic, a Toronto-based gay newspaper (1971-1987), became a dominant voice in the body politics of the LGBTQ+ communities in Canada.
Gay Premises: Radical Voices in the Archives, 1973-1983 and TAG TEAM: Gay Premises
The ArQuives 34 Isabella Street, TorontoAn exhibit that looks at the ways in which The Body Politic, a Toronto-based gay newspaper (1971-1987), became a dominant voice in the body politics of the LGBTQ+ communities in Canada.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.
Colour Coded: queer abstraction meets fruity frosting
The ArQuives 34 Isabella Street, TorontoIan Phillips is a visual artist and publisher whose small literary and art press, Pas de chance, has been active for over twenty-five years. In a chance pairing, the artists’ unique bodies of work come together not only through a common interest in illustration, but also through the transformative and queer—potential of colour, shape, and form.